找到些好东西 吉他谱.

Date:    Thu, 16 May 1996
WAY TO BLUE- Nick Drake
Em   Am/E    B7/E   Em    Em   Am/E     C   C/A   EaddF# E  
Em                 Am/E    B7/E               Em  
Don't you have a word to show what may be done
Em                Am/E    C         C/A      EaddF# E
Have you never heard   a way to find the sun
EaddF# E   EaddF# E          Bsus4 B
Tell me    all that you may know
EaddF# EaddG# EaddF# EaddG#       Bsus4   B  
Show me         what you   have to show
Em                   Am/E 5b C        C/A     Bsus4 B     EaddF# EaddG#
Won't you come and say       if you know the way     to blue?
Have you seen the land living by the breeze
Can you understand a light among the trees
Tell me all that you may know
Show me what you have to show
Tell us all today if you know the way to blue?
BRIDGE:
E                      Bsus4         B    Asus4 A            Esus4   E
Look through time and find your rhyme, tell us what you find
E             Bsus4      B   Asus4 A             Esus4    E
We will wait at your gate hoping like the blind
INSTRUMENTAL:
Em   Am/E   B7/E   Em   Am/E   B7/E   Em  
Em   Am/E    C    Bsus4 B   Esus4   Esus4addF#   E  
Can you now recall all that you have known?
Will you never fall when the light has flown?
Tell me all that you may know
Show me what you have to show
Won't you come and say if you know the way to blue?
VERSE PATTERN (guitar simulating the strings):
   Em   Am/E   B7/E Em    Em   Am/E    C    E
E -0---0---|-2---0---|-0---0---|-0---2-0-|
B -0---1---|-0---0---|-0---1-4-|-1---0---|
G -0---2---|-2---0---|-0---2---|-0---1---|
D ---------|---------|---------|---------|
A ---------|---------|---------|-3-0-----|
E -0---0---|-0---0---|-0---0---|-----0---|
    E         Bsus4 B     E        Bsus4 B
E -2-0-2-0-|---------|-2-4-2-4-|-2---2---|
B -0---0---|-5---4---|-0---0---|-5---4---|
G -1---1---|-4---4---|-1---1---|-4---4---|
D ---------|(4)-(4)--|---------|---------|
A ---------|-2---2---|---------|-2---2---|
E -0---0---|---------|-0---0---|---------|
   Em Am/E 5b   C Bsus4 B E
E -0---0----|-0-------|-2-0-----|      EaddF#: 0 2 2 1 0 2
B -0---1--4-|-1---5-4-|-0-------|      EaddG#: 0 2 2 1 0 4
G -0---2----|-0---4---|-2-1-----|      EaddA:   0 2 2 1 0 5
D ----------|----(4)--|---------|      Esus4:   0 2 2 2 0 0
A ----------|-3-0-2---|---------|      C/A:     x 0 2 0 1 0
E -0---0----|---------|-0-------|      Esus4addF#: 0 2 4 2 0 0
NOTE:   String sounds have been adapted for guitar
tabbed by Andreas Gastel <gastel@mx.cs.uni-duesseldorf.de>


VOICE FROM THE MOUNTAIN
Tuning: EADEBE
capo 1st fret or none (seems about halfway to me)
Main patterns:
|----------------|----------------|
|2-2--2--2--0----|3-3--0--2--2----|
|0-0--0--2--2----|2-2--2--0--0----|
|2-2--2--1--1----|0-0--0--2--2----|
|0-0000000000-00-|0-0000000000-00-|
0|---------------0|---------------0|
        (A)                (B)
|----------------|
|3-3--3--2--2----|
|0-0--0--0--0----|
|5-5--4--2--2----|
|0-0000000000-00-|
0|---------------0|
         (C)
Intro and between-verse links are just A;
Verses go AB twice then three and a half bars of C.
Variations:
1. Link into verse 2 ends:
   |--------------------------------|
   |2---2-----2-----2-----020-------|
   |0---0-----0-----2---------2-----| (expanded to
   |2---2-----2-----1-----------1---|   double width)
   |0---0-0-0-0-0-0-0-0-0-0-------0-|
0-|--------------------------------|
2. first bar B in verses 2 and 4 goes:
|----------(7)(7)|   (the sevens are quiet and are a
|3-3--0--2--5--3-|    very difficult stretch - not
|2-2--2--0--0--0-|    recommended unless you have
|0-0--0--2--5--4-|    Drake-like long fingers)
|0-00000000000000|
|----------------|
3. the C patterns in verse 4 include some bass variations:
|----------------|
|3-3--3--2--2----|
|0-0--0--0--0----|
|5-5--4--2--2----|
|0-00-00-00-0-00-|
|----0--0--0----0|
Middle Section:
|--0--0---2------|       |--0--0---2------|
|2---0--2----2---|       |2---0--2--2-----|
|0--00--2---2-2--| (x3) |0--00--2---2---2|
|2---0-00--0---0-|       |2---0-00----0-0-|
|0---0--0--------|       |0---0--0-----0--|
|---------------0|       |----------------|
Tabbed by Chris Healey


另外一个版本
VOICE FROM A MOUNTAIN
TUNING: EADF#BE, no capo
PART 1:                                          (Variation 2nd bar)
    A                 B9/A   B7/A                   B9/A   B7/A
E   ----------------|----------------|            ----------------|
B   2---2-----2-----|2-----0---------|            2-----020-------|
F# 3---3-----3-----|0-----0---------|            0---------0-----|
D   2---2-----2-----|1-----1---------|            1-----------1---|
A   0---0-0-0-0-0-0-|0-0-0-0---0-0---|            0-0-0-0-------0-|
E   ----------------|--------------0-|            ----------------|
PART 2:                                          (Variation 2nd bar)
    Dno3/A            A                            A...
E   ----------------|----------------|            ----------------|
B   3---3-----3-----|2-----2---------|            2-----5-----3---|
F# 3---3-----3-----|3-----3---------|            3----(3)---(3)--|
D   0---0-----0-----|2-----2---------|            2-----5-----4---|
A   0---0-0-0-0-0-0-|0-0-0-0---0-0---|            0-0-0-0-0-0-0-0-|
E   ----------------|--------------0-|            ----------------|
PART 3:
    Dsus4/A    D/A     A
E   ----------------|----------------|
B   3---3-----3-----|2-----2---------|
F# 3---3-----3-----|3-----3---------|
D   5---5-----4-----|2-----2---------|


A   0---0-0-0-0-0-0-|0-0-0-0---0-0---|
E   ----------------|--------------0-|
INTRO: 4 times part 1 (preceded by a bass note E)
A               B9/A B7/A    (this line is part 1)
Voice from the mountain
      Dno3/A          A        (part 2)
And voice from the sea
A             B9/A     B7/A   (part 1)
Voice in my neighbourhood
       Dno3/A          A       (part 2)
And a voice calling me
Dsus4/A     D/A          A     (part 3)
Tell me my friend my friend
Dsus4/A D/A    A              (part 3)
Tell me with love
Dsus4/A D/A           A       (part 3)
Where can it end it end
Dsus4/A D/A   A    B9/A B7/A   (1st bar of part 3, then part 1)
Voice from above
                             (then play part 1 with variation)
The sound on the ocean wave
And a sound in the tree      (use variation of part 2)
Sound in a country lane
Say can you be free
Tell me you crowd you crowd
Tell me again
Tell me out loud out loud
This sound is rain           (both bars of part 3, then instrumental)
INSTRUMENTAL: (with 9/8 and 7/8 bars alternating)
                                   (3 times)
E ||   ----2-------------|----0-----0---   ||   ----2-------------|
B ||   2---------2-------|2-------0-----   ||   2-----2-----------|
F#||* 0-------0---0-----|3-------3----- *||   0-------0-------0-|
D ||* 0-----0-------0---|2-----2-0---0- *||   0---------0---0---|
A ||   0-----------------|0-------0-----   ||   0-----------0-----|
E ||   ----------------0-|--------------   ||   ------------------|
Tune from the hillside
And a tune full of light
A flute in the morning
And a chime in the night
I know the game the game
I know the score
I know my name my name
But this tune is more        (half of part 3, two times part 1)
Voice from the mountain
And a voice from the sea     (use variation of part 2)
Voice in my neighbourhood
And a voice calling me
Tell me my friend my friend
Tell me with love
Where can it end it end
This voice from above        (half of part 3, then 4 times part 1, fading)
REMARK: Most of the 3's on the F# string are probably not played on the
record; they are just a suggestion how to prevent you from playing a F#
where it doesn't fit.
tabbed by Harlan L. Thompson  
       and Andreas Gastel      


Date:    Thu, 16 May 1996
HARVEST BREED- Nick Drake
TUNING: D G D G D G, (capo 1st fret) or C F C F C F (capo 3rd fret)
RIFF 3 TIMES   RIFF 2
RIFF
Falling fast and falling free, you look to find a friend
RIFF
Falling fast and falling free, this could just be the end
RIFF
Falling fast you stoop to touch and kiss the flowers that bend
                  RIFF 2
And you're ready now
                  RIFF
For the harvest breed
RIFF 2 MORE TIMES, RIFF 2, PLAY RIFF TILL X FOR ENDING
MAIN RIFF:
G ------------------------------------------
D --------0-------------------0-------------
G --(1)-0--(1)-0-(1)-0--(2)-0---(2)-0-(2)-0-
D ---3------3-----3------4-------4-----4----
G ---1------1-----1------2-------2-----2----
D -0-------------------0--------------------
                                  X              
             *
G --------------------------------------------
D -------0---------------------0--------------
G -(0)-0---(0)-0-(2)-0---(0)-0---(0)-0-(0)-0--
D --5-------5-----4-------2-------2-----2-----
G --4-------4-----2-------0-------0-----0-----
D -0--------------------0---------------------
             *
RIFF 2:
G -------0-------0------
D -----0---0---0---0----
G ---0------------------
D -2-----0---2---2----0-
G ---0-2---2---0---0----
D -2---------2----------
NOTE: During the words, play the notes between the * on the 4th fret instead of the 5th.   After the words, return to the 5th fret for that note.
(tabbed by Andreas Gastel and Harlan Thompson)


JOEY
Tuning: Standard(!) Capo 3rd fret
Pattern A (main bit for verses and intro:)
|------0-|---5----|-----0--|---0----|
|---1----|3---3---|---1--31|----3---|
|--0-0---|--0--0--|--0-0---|--2--2--|
|-2---2-2|-4----4-|-2------|-4----4-|
|0--0--0-|0--0---0|0--0--0-|0--0---0|
|--------|--------|--------|--------|
Pattern B ("she will tell you..")
|---1----|-----1--|------0-|---0----|   (last bar occurs
|--3-3---|---0--0-|---0----|0---0---|   with a variety
|-2---2-2|--2-2--0|--0-0---|--0--0--|   of pickings:
|0--0--0-|-0------|-2---2-2|-2----2-|   this is just
|--------|--------|---3--3-|---3---3|   my favourite)
|--------|3--3--3-|3-------|3-------|
Pattern C ("she wouldn't be there...")
   --------|---0----|------0-|---0----|   (likewise
   ---3----|----0---|---3----|1-----1-|   these last
   --2-2---|--7--7--|--0-0---|--0--0--|   two bars)
   -0---0-0|-6----6-|-4---4-4|-2--2--2|
H02--2--2-|--------|0--0--0-|0--0--0-|
   --------|0-------|--------|--------|
The structure is straightforward: from here we go back
to Pattern A (starting from the second bar). The only other
complication is at "thought you'd found her" when the first
2 bars of B are followed by the first 2 of C, then A to the end.
Tabbed by Chris Healey

TIME OF NO REPLY
Tuning (bottom first): BEBEBE capo 4th fret
There's only one difficult fingering in this, for which I've indicated
which finger (index, middle, ring, little) might go where.
Riff:
|-----0--|-----0--|---5----|----<12>|
|---0--0-|---7--7-|----5---|---0<12>|
|--0-0---|--9-9--0|--5--5--|--0-----|
|-9-----9|-7------|-5----5-|-0------|
|7-------|6-------|5------5|0-------|
|--------|--------|--------|--------|
          (imlr)                  (harmonic)
Verse:
|------0-|--------|     |------0-|------0-|--------|--------|
|---0----|---0----|     |---0----|---0----|---0---0|---5---0|
|--0-----|--0-2---| x2 |--0-----|--0-----|--0---9-|--5---0-|
|-9---7-7|-5---0--|     |-A---9-9|-A---9--|-9---7--|-5---0--|
|7---5---|4---2---|     |9---7---|9---7---|7---6---|5---0---|
|--------|------0-|     |--------|--------|--------|--------|
                         (for A read 10)
Bridge bit:
|--------|-----0--|     |--------|--------|
|---0----|---0--0-|     |---0----|---0----|
|--0-0---|--0-0---| x3 |--0-0---|--0-2---|
|-5---5-5|-3-----3|     |-1---1-1|-0------|
|7--7--7-|5--5--5-|     |3--3--3-|2-------|
|--------|--------|     |--------|----0---|
Little link:
|--------|--------|
|---0---7|---5--0-|
|--0---9-|--5---0-| (a few notes missed 2nd time it's played)
|-9---7--|-5---0--|
|7---6---|5---0---|
|--------|--------|
Tabbed by Chris Healey


BLACK EYED DOG
     
Tuning: GGDxxx (bottom E up to G)
- if you don't want to take your bottom string up to a G you could
   avoid or take off the bottom string and tune the other 5 to GGDxx
   (using a capo is another option but puts the song very high up
   the neck)
- you might also want to tune the top 3 strings to GBD,
   even though they are not played, as they can then resonate
   along with the tune, and also any accidental hits will sound OK.
   Interestingly, this gives the same tuning as Rider On The Wheel,
   from the same sessions.
     
note - the right hand technique is crucial to this song.
I find using the side of a fat plectrum, held stiffly and
played very close to the bridge to be the most convincing.
You might want to experiment. The track also uses lots
of reverb.
     
     
Intro (timing is a bit free):
     
|----H-------X---|9X--T----------|----H-------X---|--9-0-4-5(5)----|
|--H-------------|---------------|--H-------------|--------(0)-----|
|H---------------|---------------|H---------------|-------(0)------|
     
key - H=12th fret harmonic, X=10, T=12
       the notes in brackets are played 2nd time around
     
notes -
1. the 9X is a hammer, followed by   a slide to the T.
2. it's important to have your guitar in tune, because even though
the D string is fretted in bar 1, the previous harmonic resonates
with the bottom two strings and continues to sound!
     
then:
     
|----HHHHH-HHHHH-|HHH-HHH-HHHHHHH-|----HHHHH-HHHHH-|HHH-HHHHH-H-HHH-|
|--H-------------|---------------H|--H-------------|---------------H|
|H---------------|----------------|H---------------|----------------|
     
     
Main riff and verse:
     
|----HHHHHHX-XX9-|99X-XXT-T---TT00|----HHHHHHXXXXXX|XX990-4-5---5500|
      -      -    -     -    - -             -      - - -     - - - -
|--H-------------|----------------|--H-------------|----------------|
|H---------------|----------------|H---------------|----------------|
     
(The underlined notes on the D string should be stressed; the
rest are picked quietly or damped)
     
notes -
1. the unstressed X's and 9's in the first two bars are almost
completely damped by the left hand as it moves from one
position to the next, so don't try too hard to make them sound!


2. the three stressed X's in bar three should get progressively
louder, the last one ringing out despite the following quiet
brushes of the plectrum. This is a bit tricky, but playing close
to the bridge helps a lot.
     
     
Instrumental bit (after "growing old and I wanna go home" bit):
     
|----V-VVV-F-FFT-|TTX-XX99X-T-TTTT|----HHHHX-9-9900|0044445-5-5500|
      -      -    -     -    - - - -         -    - -    -     -    - -
|--H-------------|----------------|--H-------------|--------------|
|H---------------|----------------|H---------------|--------------|
     
notes -
1. V=15th fret, F=14th. Sorry about all the letters.
2. The first V rings out a bit.
3. the X-T is a slide.
     
next instrumental bit:
     
|--5-45577554455-|--9-799XX77999--|
|----------------|----------------|   and repeat
|0--------------0|0-------------00|
     
     
|--TT0XX09907705-|--5-4557744555--|
    -   -   -   -   -
|----------------|----------------|   and repeat
|0--------------0|0-------------00|
     
     
notes -
1. the playing is rather more even here, so although there is some
emphasis, I've omitted the underlining in all but one bar as it's
probably as confusing as it is useful. Just listen to the track...
2. the 0's on the D string are caused by lifting the left
hand as it moves down the neck. Obviously they're short and
quiet notes.
3. you could play the low G on the other open G string (or both)
but I find the left hand tends to interfere with it a bit.
     
Final two bars:
     
|----HHH-X-999900|0044445-5-------|
      -    - -    -     -    - -
|--H-------------|----------------|
|H---------------|----------------|
     
Tabbed by Chris Healey


最后说一句
我讨厌调弦.

~~好东西，等我吉他弹好了再看……

泪奔。乐盲路过

回复：14楼
他的曲子其实不是很难
就是弦调的有点怪...和以前看过的某杂志上说的一样...

我啊
学了差不多有7年了...你想学么？我可以教你.