SH关于FS的访谈

SH真爱粉表示，看不下去了

Interview: Sally Hawkins, who plays Sue Trinder
When Sally Hawkins first walked onto the set of Fingersmith,she felt as though she'd stepped straight into the pages of one of her favourite novels.
　"I read Fingersmith a while ago and it's a fantastic book. It races along and Sarah Waters creates this amazing Victorian world. As soon as I walked on set, I was completely in the grip of that time," says the 27-year-old actress.
Londoner Hawkins relished the chance to play Sue, the young woman whom Rivers draws into his tangled web of deceit.
"Sue's an innocent but she's also highly streetwise and instinctive. When Rivers and Mrs Sucksby persuade her to pose as Maud's maid in order to encourage her to trust him, she loses that innocence. She discovers that she's really not very good at being bad," says Hawkins.
On paper, the swindle is simple. But, for Sue, feelings of guilt lurk in the background like pickpockets preparing to pounce.
　"Sue is a free spirit and she finds it hard having to put on an act all of the time and it becomes so much more complicated when she realises how fond she is of Maud.
　"She's in an agonising predicament: she wants to do Mrs Sucksby proud – she's always had this idea that Sue would make their fortune–but she's faced with this beautiful, pure girl who she finds she has feelings for."
　Though Fingersmith is set in the 1860s–and suffused with the kind of sensationalism that thrilled and scandalised Victorian society in equal measure–Hawkins describes it as a modern story.
　"Sue is a modern girl–she's not much different from me or you.
　"Of course, it's exciting to enter this Dickensian world and the costumes are marvellous – my mum's delighted I'm wearing a fancy dress for once! – but it doesn't seem distant and unfamiliar like some period pieces.
　"It's quite modern and the story is a love story, it's a thriller, it's exciting, it's beautiful and it's sad."
　Working on Fingersmith, her first major TV role, has fuelled Hawkins' desire to do more on the small screen.
　"It was terrifying in a way because it was so unknown to me, but Imelda, Elaine and Rupert and all of the crew were just wonderful–I made some really good friends and it was a unique experience.
　"That said, they all set me up at the end of filming. They said I had to do one last scene where I come through a door because something had gone wrong.
　"I was such an idiot–I totally fell for it. I came through the door–and there was no one there, just a camera.
　"In my logic I thought, 'There's obviously something I don't know, so I'll just carry on'... but of course they were all round the corner, laughing their heads off and watching me on the monitor!"
　For this Fingersmith fraudster, it was a scam too far: "I'll get my own back! Wait till I see them again..."
　Hawkins recently appeared in Mike Leigh's award-winning film Vera Drake, alongside her Fingersmith co-star Imelda Staunton, and is currently starring in Federico García Lorca's The House Of Bernarda Alba at the National Theatre.

访谈：莎莉·霍金斯，饰苏·特伦达的演员
当莎莉·霍金斯第一次开始拍摄《指匠情挑》时，她觉得自己仿佛直接走进了这部她最喜爱的小说之一里。
“前段时间，我读了《荆棘之城》，这是一本奇妙的书。它行文紧凑，是莎拉·沃特斯构建了这个神奇的维多利亚时代的世界。一旦面对镜头，我就完全走进了那个时代”这位现年27岁的女演员说。
对于有机会扮演苏，一个被里弗斯卷入错综复杂的阴谋的年轻女孩，土生土长的伦敦人霍金斯饶有兴致。

我觉得，那些黑苏的，乃们应该看看霍菇凉对呆苏的评价。
“苏很单纯，但她也是十分精明和敏感的。当里弗斯和萨克斯比大妈为了让莫德相信里弗斯而说服她冒充莫德小姐的女仆时，她就不再无辜了。不过，她发现自己真的不擅长去充当坏人的角色”霍金斯说。
在小说里，实施这种诈骗看似是简单的。但是，对苏来讲，罪恶感就像潜伏在后台准备突袭的扒手一般。
“苏有着自由的精神，她发现总是不得不装模作样很难，而且随着时间的推移，当她意识到自己有多么爱莫德后，她更是觉得一切都变得无比的复杂。
“她身处进退两难的困境：她想做让萨克斯比大妈感到骄傲的事情——她总是坚信苏会使他们发大财——但是，她又要面对眼前这个美丽、纯洁、自己已经爱上的女孩。”

不能再赞！！！
尽管《荆棘之城》的设定在1860年代，弥漫着哗众取宠的气息，就像当时激动、愤慨的维多利亚时代的社会风气一样，霍金斯却认为这是个现代的故事。
“苏是一个很现代的女孩，她与你我并没有多大的区别。
“当然，能够进入这个狄更斯式的世界是激动人心的，还有，我们的演出服也是不可思议的——我的妈妈很高兴我能有机会穿这么精致华美的演出服！——不错，它似乎并不像有的历史剧那样让人感觉遥远和陌生。
“真的很现代，而且这个故事是一个爱情故事，这也是一部惊悚片，它的美丽和悲伤都摄人心魄。”
《指匠情挑》是霍金斯第一部担任主角的电视剧，这也激发了她在电视剧方面出演更多作品的愿望。

“从某种程度上讲，这是可怕的，因为它对于我来说完全是个未知数，但是，伊梅尔达、伊莲和鲁珀特，以及所有的工作人员都是那么棒——我结识了一些很好的朋友，这是一次独一无二的经历。

“即便如此，电影拍摄结束后，他们还是合伙坑了我。他们说我得重拍最后那个穿过一道门的场景，因为之前我演砸了。”
“我也是傻透啦——就这样轻易地信以为真。我通过了那扇门，那里面没有人，只有一台摄相机。”
“当时，在我看来，显然有些我不知道的安排，所以，我就继续了……当然，他们都围在角落里，看着监视器上傻得冒泡的我，直接笑掉大牙！”
不过，对于这个《指匠情挑》里的小扒手来讲，这点小伎俩还差得远呢：“我会赢回来的！等我再看到他们，他们给我等着瞧……”

“即便如此，电影拍摄结束后，他们还是合伙坑了我。他们说我得重拍最后那个穿过一道门的场景，因为之前我演砸了。”
“我也是傻透啦——就这样轻易地信以为真。我通过了那扇门，那里面没有人，只有一台摄相机。”
“当时，在我看来，显然有些我不知道的安排，所以，我就继续了……当然，他们都围在角落里，看着监视器上傻得冒泡的我，直接笑掉大牙！”
不过，对于这个《指匠情挑》里的小扒手来讲，这点小伎俩还差得远呢：“我会赢回来的！等我再看到他们，他们给我等着瞧……”

p.s.看了这么多遍了，比起小莫，我还是喜欢呆苏多一点，不管是在《荆棘之城》，还是《指匠情挑》里。

最后一段在此：
霍金斯最近与她在《指匠情挑》里的搭档斯汤顿一起出演了迈克·李的获奖电影《维拉·德雷克》。目前，她主演了在国家剧院上映的费德里戈·加西亚·洛尔卡（西班牙诗人、戏剧家）写的《贝尔纳达·阿尔瓦的家》。